Public places with its architecture evoke another metaphysical city without people and events, destabilizing the act of perception and comprehension, engagement& disengagement, tending to be both thought provoking & disturbing and reading & writing; all simultaneously. The city has appeared to be compelling and resonating its formative circumstances while masking its contamination of time. It encrypts the notations that are only parallel to inscriptions of archaeology whose notation brings meaning of the unforeseen &of untold stories.
The doors become more sceptical and the windows suddenly become lens for voyeurism. The door that was hinged in time, opens in fear, the window that frames the unframed is morphed with memories of time. The view and the viewed are in intense conflict of existence. The architecture and the city begin to displace itself from being framed to being the frame of the unseen. It is a strange scene of a movie that was never shot with a keen eye or was desirable of wanting. It rather was that eye which is compelled to hover with utter disdain to the silence of the shadow-less city.